| 2018 | Kenise Barnes, Larchmont, NY. Art on Paper: Meg Hitchcock, Jill Parisi, and Eleanor White. |
| Paper: Conscience and Consciousness. Sofia, Bulgaria. Paper Pulse. Curated by IAPMA. |
| The Hunterdon Art Museum, NJ. Multiple Ones: Contemporary Perspective in Printmedia. Curated by Sheila Goloborotko. |
| 2017 | Glyndor Gallery, Wave Hill, Bronx, NY. Flora Fantastical! Curated by Jennifer McGregor and Gabriel de Guzman. (Catalog.) |
| Muroff Kotler Visual Arts Gallery, Ulster County Community College, Stone Ridge, NY. Ulster County NYFA Fellowship 30th Anniversary Exhibition. Curated by Susan Jeffers. |
| Alice and Horace Chandler Gallery and North Gallery, Samuel Dorsky Museum of Art, SUNY New Paltz, NY. Intimately Unfamiliar: New Work by SUNY New Paltz Art Faculty. Curated by Michael Asbill. (Catalog.) |
| Orange Hall Gallery, SUNY Orange, Middletown, NY. Innovator and Activist Visual Artists: SUNY Celebrating New York Foundation for the Arts Fellowships. Curated by Dorothy D. Szefc. |
| |
| 2016-17 | MEKEN, Smedjebacken; and Dalarnas Museum, Falun in Sweden. International Print Triennial – Krakow – Falun 2016. Curated by Modhir Ahmed and Anne Seppänen. (Catalog.)
|
| 2016 | Kenise Barnes Fine Art, Larchmont, NY. Gallery II. |
| Museum of Contemporary Art Jacksonville. Jacksonville, FL. The Other: Nurturing a New Ecology in Printmaking. Curator: Sheila Goloborotko. |
| Kenise Barnes Fine Art, Larchmont, NY. Flower Power. |
| |
| 2015 | Bunkier Sztuki, Krakow, Poland. SMTG Krakow Printmaking Triennial, Main Exhibition. Curated by Alicia Candiani (Jury President), Endi Poskovic, Vladimiro Elvieri, Dorota Folga-Januszewska, and Carinna Parraman. (Catalog.) |
| Roger and Mildred Minthorne Gallery, George Fox University, Newberg, OR. Women in Print. Curated by Jillian Sokso. |
| The West Loop Gallery of Houston Community College/Southwest, Houston, TX. Impressions 2015. Juried by Eileen McClellan. |
| International Print Center New York, New York, NY. New Prints: Summer 2015. Jurors: Grayson Cox, Artist, Professor; Jennifer Farrell, Associate Curator, Department of Drawings and Print, The Metropolitan Museum of Art; Tom Freudenheim, Art Critic/ Retired Museum Director; Evelyn Day Lasry, Two Palms, NY; William Steiger, Artist; Barbara Takenaga, Artist, Professor. |
| Art on Paper Fair/Kenise Barnes Fine Art Booth. Pier 36, New York, NY. |
| A.D. Gallery, University of North Carolina at Pembroke. Pembroke, NC. Crossover and Composites: Hybrid Forms, Techniques & Media. Juried by Professor Kristy Deetz, University of Wisconsin Green Bay. |
| University of Missouri Kansas City Gallery of Art. Kansas City, MO. Handprint Press 2015 National Juried Exhibition. Juried by Dr. Sandra Olsen. |
| |
| 2014 | Kenise Barnes Fine Art, Larchmont, NY. Best of 2014. |
| Printmaking Center of New Jersey, Branchburg, NJ. Influencers: Making Creativity Contagious. Curated by Sheila Goloborotko. |
| Katonah Art Museum, Katonah, NY. Hot Off the Press. |
| Douro Printmaking Museum, Alijo, Portugal. 7th International Printmaking Biennial of Douro. Curated by Nuno Canelas. (Catalog.) |
| House of Culture Luiz Antonio Martinez Corrêa and the Municipal Theatre Mayor Clodoaldo Medina, São Paulo, Brazil. Bienal Internacional de Gravura em Araraquara. Curated by Gino Savino and Milton Najm Bernardi. |
| |
| 2013 | Lehman College Art Gallery, New York, NY. Morphology of the Print. Curated by Susan Hoetzel. |
| Albany International Airport, Albany, NY. Perceptions and Patterns in Nature. Curated by Kathleen Greenwood and Sharon Bates. |
| Horst-Jannsen Museum, Oldenburg, Germany. International Print Network Triennial. Curated by Paula von Sydow. (Catalog.) |
| Opole Contemporary Art Gallery, Opole, Poland. Where is Printmaking?: In the search for new meanings. Curated by Aleksandra Janik. (Catalog.) |
| Westchester County Community College, Fine Art Gallery, Vahallah, NY. Materiality. Curated by Kenise Barnes. |
| Samuel Dorsky Museum of Art, SUNY New Paltz, New Paltz, NY. Fields of Vision. Curated by Carl Van Brundt. (Catalog.) |
| Lamego Museum/Douro Museum, Regua, Portugal. Global Print 2013. Curated by Nuno Canelas. (Catalog.) |
| |
| 2012 | Bunkier Sztuki, Krakow, Poland. SMTG Krakow Printmaking Triennial, Main Exhibition. Curated by Endi Poskovic, Chairman, Peter Ford, Robert Svoboda, Andrzej Szczerski and Katarzyna Wojtyga. (Catalog.) |
| Kenise Barnes Fine Art, Larchmont, NY. The Icing on the Cake. |
| International Print Center, New York, NY. New Prints Winter 2012. Curated by Glen Baldridge, Barbara Baruch, Claire Gilman, Peter Friedland, Cary Leibowitz, and Pari Stave. |
| Douro Printmaking Museum, Aljira, Portugal. 6th International Printmaking Biennial of Douro. Curated by Nuno Canelas. (Catalog.) |
| The Norman Shannon and Emmy Lou P. Illges Gallery at Columbus State University, Columbus, Georgia. Soft Science. Curated by Hannah Israel. |
| Campus Center Gallery, University of Hawaii at Hilo, Hilo, HI. 2012 Pacific States National Biennial. Juror: Karen Kunc. (Catalog.) |
| Southeastern Contemporary Art Gallery, Southeastern University of Louisiana, Hammond, LA. Southern Graphics Council International Exhibition. Juried by Frances Myers. 2013 travels to: The A.D Gallery, University of North Carolina at Pembroke. Pembroke, NC. Alexander Hall Printmaking Gallery, Savannah College of Art and Design. Savannah, GA.; ISIS Gallery, Notre Dame University, South Bend, IN; University of South Carolina. Beaufort, SC. 2014 travels to Jack Olson Gallery, Northern Illinois University. DeKalb, IL; Emory & Henry College. Emory, VA; St Louis Community College/Meramec. Kirkwood, MO. (Catalog.) |
| |
| 2011 | Kenise Barnes Fine Art, Larchmont, NY. We've Got to Get Back to the Garden. |
| Affordable Art Fair, New York, NY. Kenise Barnes Fine Art. |
| Rockland Center for the Arts, West Nyack, NY. Flowers, Follies, and Other Rites of Spring. Curated by Kenise Barnes. |
| University of Mary Washington Galleries, Fredericksburg, VA. Art and Nature: Reflections on the Sublime. |
| |
| 2010 | Douro Printmaking Museum, Aljira, Portugal. 5th International Printmaking Biennial of Douro. Curated by Nuno Canelas. (Catalog.) |
| Interlochen Center for the Arts, Interlochen, MI. Art and the Environment. Curated by Amy Long. |
| Cerulean Arts, Philadelphia, PA. Intersection. Curated by Lisa Hamilton. |
| Kingston Museum of Contemporary Art, Kingston, NY. MARK 2010. Curated by Michael Asbill. |
| |
| 2009 | Dorsky Museum of Art, State University of New York at New Paltz, New Paltz, NY. Ecotones and Transition Zones. Curated by Brian Wallace. |
| Dorsky Gallery Curatorial Programs, Long Island City, NY. Patterns in Practice. Curated by Rimer Cardillo and Brian Wallace. |
| |
| 2008 | Hong-Ik University, Seoul, Korea. 20th Anniversary International Printmaking. (Catalog.) |
| Dedalo Center for Contemporary Art, Montesilvano, and Castello Castilglione Abruzzo, Italy. Printmaking Today/Contemporary Review of Fine Art Printmaking. Curated by Colleen Corradi, Tomomi Ono, Paolo Cospito, Annarits Gaeta, and Rolando Fidani. |
| |
| 2007 | International Art Center of Jingdezhen Ceramic Institute, Shanghai, China. Curated by Minna Resnick and Jiansheng Li. China Sanbao International Printmaking Exhibition and Symposium. (Catalog.) |
| |
| 2006 | Gallery Plan b, Washington, DC. Printworks. |
| |
| 2005 | I.P.C.N.Y., New York, NY. New Prints, Summer: Etchings. Selection committee: Desirée Alvarez, Alexandra Anderson-Spivy, Judy Hecker, Jennifer Melby, Harris T. Schrank and Michael Steinberg. |
| |
| 2004 | Highland Cultural Center, Highland, NY. Stranded. Curated by Lorrie Fredette. |
| New Art Center, New Bedford, MA. Off the Wall. Curated by Donna Ruff. |
| University Art Gallery, Indiana State University, Terre Haute, IN. Against Tradition: Trends in Contemporary Printmaking. Curated by Kaz McCue. |
| Dowd Fine Arts Gallery, S.U.N.Y. Cortland. Reinventing Nature : Eshbaugh, Parisi, and Richards. |
| |
| 2003 | Historic Millens Steel Building, Kingston, NY. Kingston Sculpture Biennial, Kingston, NY. Curated by Judy Pfaff. |
| A.I.R. Gallery, New York, NY. Biennial Exhibition. Curated by Shamin Momin, Branch Director and Curator, Whitney Museum of American Art at Phillip Morris. |
| |
| 2001 | Davis and Cline Gallery, Ashland, OR. Botanicals. |
| |
| 2000 | Davis and Cline Gallery, Ashland, OR. Davis and Cline Introduces. |
| |